- Collection of
- Museum of Contemporary Art Tokyo
- Title
- An anthology of a line Ⅰ
- Artist Name
- Ay-O
- Year
- 1979
- Category
- Block prints
- Material / Technique
- Silkscreen
- Acquisition date
- 2012
- Accession number
- 2012-00-0076-001
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/6954/
Other items of Museum of Contemporary Art Tokyo (8084)
Weaving Kihachijo Cloth
KIWAMURA Sojiro
Museum of Contemporary Art Tokyo
Work 77 - A
FUKAZAWA Shiro
Museum of Contemporary Art Tokyo
Kitchen of the Future, New York [from "Quarantine drawing series"]
OIWA, Oscar
Museum of Contemporary Art Tokyo
Works of Koshimizu Susumu, an Album
KOSHIMIZU Susumu
Museum of Contemporary Art Tokyo
Klaus RINKE, 1970-05, The 10th International Art Exhibition of Japan (Tokyo Biennale), Tokyo Metropolitan Art Museum
ANZAI Shigeo
Museum of Contemporary Art Tokyo
Head
HAMADA Chimei
Museum of Contemporary Art Tokyo
w1122×h1317×d49
OGINO Ryosuke
Museum of Contemporary Art Tokyo
Circular Train A (Telescope Train)
NAKAMURA Hiroshi
Museum of Contemporary Art Tokyo
Two Men
HAMADA Chimei
Museum of Contemporary Art Tokyo
![作品画像：[靉嘔展記録写真] 17](https://museumcollection.tokyo/wp-content/uploads/2022/08/7240.jpg)
Ay-O show documentary photography
ANZAI Shigeo
Museum of Contemporary Art Tokyo
[Armed Forces Band]
ASAI Chu
Museum of Contemporary Art Tokyo
Book - SOTH LO9501
YOKOUCHI Kentaro
Museum of Contemporary Art Tokyo
Turtle's Life #3
CHIBA Masaya
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
Fragments from the Working Notes for the "Softly Reductives Ⅰ" (B-4)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
Man of Haniwa
ONOSATO Toshinobu
Museum of Contemporary Art Tokyo