- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Queen Semiramis Ⅱ
- Artist Name
- YOSHIMURA Masunobu
- Year
- 1967
- Material / Technique
- Plexiglass, neon tube
- Acquisition date
- 1981
- Accession number
- 1975-00-4178-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/1429/
Other items of Museum of Contemporary Art Tokyo (8082)
MIYAWAKI Aiko, 1980-03-29, Ichinomiya
ANZAI Shigeo
Museum of Contemporary Art Tokyo
Level
SUENAGA Fuminao
Museum of Contemporary Art Tokyo
An anthology of a line Ⅰ
Ay-O
Museum of Contemporary Art Tokyo
SUEMATSU Masaki
Museum of Contemporary Art Tokyo
[Richard SERRA, "The Pig Will Eat Its Children" (political protest with Carl Andre)]
OHTSUJI Kiyoji
Museum of Contemporary Art Tokyo
[Documents related to YOSHIDA Katsuro (sketch, etc.)]
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
Basin (Small Fish and Star Fish)
KIWAMURA Sojiro
Museum of Contemporary Art Tokyo
La Roche-sur-Yon
ROUSSE, Georges
Museum of Contemporary Art Tokyo
Works of Koshimizu Susumu, an Album
KOSHIMIZU Susumu
Museum of Contemporary Art Tokyo
Dragon Vessel II
YOKOO Tadanori
Museum of Contemporary Art Tokyo
[Title Unknown]
FUKUSHIMA Hideko
Museum of Contemporary Art Tokyo
Oshima Island
KODAMA Kibo
Museum of Contemporary Art Tokyo
6 Blues toword the Center
GREEN, Alan
Museum of Contemporary Art Tokyo
Kisosuhara
KINOSHITA Yoshinori
Museum of Contemporary Art Tokyo
[Drawing]
SOYAMA Setsuo
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo