- Collection of
- Tokyo Photographic Art Museum
- Title
- Interface (16)
- Original title
- インターフェイス (16)
- Artist Name
- TOMATSU Shomei
- Year
- 1990
- Material / Technique
- Ink-jet print
- Dimensions
- 360x593mm
- Accession number
- 10108058
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/49175/
About the creator
東松照明 / TŌMATSU Shōmei
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1644
- Date of birth
- 1930-01-16
- Birth place
- Nagoya City, Aichi Prefecture
- Date of death
- 2012-12-14
- Death place
- Naha City, Okinawa Prefecture
- Medium
- Photography
- Gender
- male
- Update date
- 2023-06-02
Identifiers
- APJ ID
- A1644
- VIAF ID
- 102335494
- NDL ID
- 00084871
- ULAN ID
- 500122217
- AOW ID
- _00603346
- Wikidata ID
- Q1373158
Other items of Tokyo Photographic Art Museum (38847)
TAMURA Sakae
Tokyo Photographic Art Museum
Non-Objective Space/ Confetti
MITAMURA Shunsuke
Tokyo Photographic Art Museum
KOGURE Michiyo
MATSUSHIMA Susumu
Tokyo Photographic Art Museum
(Photographs of China)
Photographer unknown
Tokyo Photographic Art Museum
Kamaitachi #13
HOSOE Eikoh
Tokyo Photographic Art Museum
TANAKA Kotaro
Tokyo Photographic Art Museum
America *
NATORI Yonosuke
Tokyo Photographic Art Museum
Weddell seal, Antarctic Peninsula
IWAGO Tokumitsu
Tokyo Photographic Art Museum
Yokote
KIMURA Ihee
Tokyo Photographic Art Museum
SIGHTS AND SCENES ON THE TOKAIDO. *
OGAWA Kazumasa
Tokyo Photographic Art Museum
Gespenster
SUDO Ayano
Tokyo Photographic Art Museum
(Gold-lacquered photo album of TAMAMURA photographic studio) 865 HAKONE LAKE.
TAMAMURA Kozaburo / Kihee
Tokyo Photographic Art Museum
Park City Between West Sidewinder Drive and State Highway 248, looking Northeast.
BALTZ, Lewis
Tokyo Photographic Art Museum
Tokyo Ikebukuro
MORIYAMA Daido
Tokyo Photographic Art Museum
Women are Beautiful
WINOGRAND, Garry
Tokyo Photographic Art Museum
Myself Mona Ahmed When I started to live in the graveyard, my own blood family thought I was crazy and admitted me to the mental asylum. I came here because I could not bear the false glamour of city life. I hated the pretense that people put on.
SINGH, Dayanita
Tokyo Photographic Art Museum