- Collection of
- Tokyo Photographic Art Museum
- Title
- (Building)
- Original title
- (建物)
- Artist Name
- YAMAMOTO Sanshichiro
- Year
- 1890-1910
- Material / Technique
- Albumen print
- Dimensions
- 227x275mm
- Accession number
- 10105596
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/45221/
Other items of Tokyo Photographic Art Museum (41996)
Teuritoh Hokkaido, March 2009
DODO Takeshi
Tokyo Photographic Art Museum
(Photographs of China)
Photographer unknown
Tokyo Photographic Art Museum
Kurobe Gorge View of the mountains from Omachi
KANMURI Matsujiro
Tokyo Photographic Art Museum
Journey to "A Land so near and yet so far" Fujisan
NARAHARA Ikko
Tokyo Photographic Art Museum
Fushi Kaden Ooarai, Ibaraki
SUDA Issei
Tokyo Photographic Art Museum
(Child in Wheelbarrow)
UEKI Noboru
Tokyo Photographic Art Museum
Bunshi no Jidai (Age of the Literati) KIKUCHI Kan
HAYASHI Tadahiko
Tokyo Photographic Art Museum
Frozen Bill: Crested Kingfisher, Hunter in the Dead of Winter Crested Kingfisher
SHIMADA Tadashi
Tokyo Photographic Art Museum
Cairo
KIMURA Ihee
Tokyo Photographic Art Museum
KATSURA Main Room, left, and the Hearth Room, right, of the Old Shoin, viewed from the north-east. Second Room in the foreground.
ISHIMOTO Yasuhiro
Tokyo Photographic Art Museum
(Strolling Musicians)
OTSUKA Gen
Tokyo Photographic Art Museum
(Torii Gate)
Photographer unknown
Tokyo Photographic Art Museum
Circus A horse passing through the fire
TANNO Akira
Tokyo Photographic Art Museum
January 2, 1940 - At Happo
NAGATA Isshu
Tokyo Photographic Art Museum
Oroku's room
TOKIWA Toyoko
Tokyo Photographic Art Museum
A family of Japanese immigrants living in a Japanese settlement in the town of Jarabacoa in the mountains of the Dominican Republic. Emigration from Japan to the Dominican republic began in the 1950s during the regime of Rafael Trujillo, but the Japanese government's recruitment promises of grants of up to 18 hectares of good farmland and other incentives were not honored. There was also friction between the Japanese immigrants and the local people. In 2006, the Japanese government formally apologized to the Japanese immigrants
OKAMURA Akihiko
Tokyo Photographic Art Museum