
- Collection of
- Tokyo Photographic Art Museum
- Title
- (Building)
- Original title
- (建物)
- Artist Name
- YAMAMOTO Sanshichiro
- Year
- 1890-1910
- Material / Technique
- Albumen print
- Dimensions
- 274x225mm
- Accession number
- 10105595
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/6804/
Other items of Tokyo Photographic Art Museum (40725)

THE WAY OF BUDDHISM Buddha in the Ante-chamber of Cave 5, Yungang
SHIRAKAWA Yoshikazu
Tokyo Photographic Art Museum

Birds of River Tama A Japanese Fan-Tail Warbler Carrying Food for the Young
TAMURA Sakae
Tokyo Photographic Art Museum

Woman with Umbellifer
PUYO, Émile Joachim Constant
Tokyo Photographic Art Museum

(Contest)
OTSUKA Gen
Tokyo Photographic Art Museum

Cloudy Day at Daisen
SAIGA Susumu
Tokyo Photographic Art Museum

No.694 Kasai Rinkai Park, Under Construction
YAMANE Toshiro
Tokyo Photographic Art Museum

Plate IV - Pifferari Standing and Italian Peasant Sitting in the Yard of 21 Quai Bourbon, around 1855
NÈGRE, Charles
Tokyo Photographic Art Museum

The last day of the Bon Festival
MIDORIKAWA Yoichi
Tokyo Photographic Art Museum

untitled
KURIGAMI Kazumi
Tokyo Photographic Art Museum

Ginza
KIMURA Ihee
Tokyo Photographic Art Museum

En–Circular Vision Paris, France
NARAHARA Ikko
Tokyo Photographic Art Museum

GALERIE CONTEMPORAINE DES ILLUSTRATIONS FRANCAISES 8 É. DUBUFFE, ESCLAVE CIRCASSIENNE
Photographer unknown
Tokyo Photographic Art Museum

(People watching festival) (No. 234)
YAMAMOTO Sanshichiro
Tokyo Photographic Art Museum

landscape
AIKAWA Masaru
Tokyo Photographic Art Museum

phenomenon of spirit of times
MIYAI Rikuro
Tokyo Photographic Art Museum

A family of Japanese immigrants living in a Japanese settlement in the town of Jarabacoa in the mountains of the Dominican Republic. Emigration from Japan to the Dominican republic began in the 1950s during the regime of Rafael Trujillo, but the Japanese government's recruitment promises of grants of up to 18 hectares of good farmland and other incentives were not honored. There was also friction between the Japanese immigrants and the local people. In 2006, the Japanese government formally apologized to the Japanese immigrants
OKAMURA Akihiko
Tokyo Photographic Art Museum