These macaques, resting in the creeping pine zone of the Central Alps, have expanded their range from the lowlands to the highlands. 中央アルプスのハイマツ帯で憩うサルたちは、低地から高標高地まで分布を広げてきた
MIYAZAKI Manabu 宮崎 学
- Collection of
- Tokyo Photographic Art Museum
- Series title
- Animal Apocalypse and Wild Animals Now
- Title
- These macaques, resting in the creeping pine zone of the Central Alps, have expanded their range from the lowlands to the highlands.
- Original title
- 中央アルプスのハイマツ帯で憩うサルたちは、低地から高標高地まで分布を広げてきた
- Artist Name
- MIYAZAKI Manabu
- Year
- 1993-2012
- Material / Technique
- Ink-jet print
- Dimensions
- 340x505mm
- Accession number
- 10121618
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/69305/
Other items of Tokyo Photographic Art Museum (40789)
Homage to the Old Servants
DIEUZAIDE, Jean
Tokyo Photographic Art Museum
KUROSAWA Akira
SAITO Koichi
Tokyo Photographic Art Museum
Ural Owls Just before pinning down its prey.
MIYAZAKI Manabu
Tokyo Photographic Art Museum
Attack!!
KIMURA Tsunehisa
Tokyo Photographic Art Museum
My Artist Friends Mutsuo Takahashi, Poet Ⅰ
HOSOE Eikoh
Tokyo Photographic Art Museum
（Two girls and buggy）
SAKUMA Hyoue
Tokyo Photographic Art Museum
Chewing Gum and Chocolate
TOMATSU Shomei
Tokyo Photographic Art Museum
PORTRAITS Yano Toshio Sep. 30, 2001
KITAJIMA Keizo
Tokyo Photographic Art Museum
(Force-Fed Man)
KIMURA Tsunehisa
Tokyo Photographic Art Museum
Hotel Metropole, Tokyo
Photographer unknown
Tokyo Photographic Art Museum
PITTSBURGH
SMITH, W. Eugene
Tokyo Photographic Art Museum
(Gold-lacquered photo album of TAMAMURA photographic studio) 949 PAGODA AT NARA
TAMAMURA Kozaburo / Kihee
Tokyo Photographic Art Museum
Section of Ogasawara Islands View of Susaki village shore, Chichijima, Ogasawara Islands
MATSUZAKI Shinji
Tokyo Photographic Art Museum
Scenery of salt pan
ADACHI Shotaro
Tokyo Photographic Art Museum
100 American Families In New York Black family living in slums
ENARI Tsuneo
Tokyo Photographic Art Museum
Myself Mona Ahmed When I started to live in the graveyard, my own blood family thought I was crazy and admitted me to the mental asylum. I came here because I could not bear the false glamour of city life. I hated the pretense that people put on.
SINGH, Dayanita
Tokyo Photographic Art Museum