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[秋山祐徳太子関連資料]

[秋山祐徳太子関連資料]

AKIYAMA Yutokutaishi 秋山 祐徳太子

Collection of
Museum of Contemporary Art Tokyo
Artist Name
AKIYAMA Yutokutaishi
Year
1975/1979
Material / Technique
Loudspeaker, photographs, magazines
Acquisition date
2021
Accession number
2021-00-0040-000

Other items of Museum of Contemporary Art Tokyo (8084)

作品画像:初夏の風

Early Summer Breeze

MAKINO Torao

Museum of Contemporary Art Tokyo

Tokyo Museum Collection(ToMuCo)

Fluxus "chairman" George Maciunas in 1976

MOORE, Peter

Museum of Contemporary Art Tokyo

作品画像:高足踊り

Stilts Dance

HAMADA Chimei

Museum of Contemporary Art Tokyo

作品画像:無題

Untitled

IDA Shoichi

Museum of Contemporary Art Tokyo

作品画像:初夏の森

Woods in Early Summer

MIMURA Eiichi

Museum of Contemporary Art Tokyo

作品画像:「TOKYO SUBURBIA 東京郊外」少年-1、東京都

TOKYO SUBURBIA: Boy-1, Tokyo

HOMMA Takashi

Museum of Contemporary Art Tokyo

作品画像:パネル #21

Panel #21

TOYOSHIMA Yasuko

Museum of Contemporary Art Tokyo

作品画像:(左)山の向こうの中腹のちっぽけな村はすでに見えなくなり、ふたたび春が巡ってきた。葡萄の木はあたかも塀の笠石の下を匍う病める大蛇のように見える。生あたたかい空気のなかを褐色の光が動きまわっていた。似たりよったりの毎日が作りだす空白は伐り残した若木まで切り倒すだろう。日々の暮らしのなかで樹木の茂みは岩のように突き出ている。(右)自分の暮らした村がこんなに小さく思われたことはない。太陽が姿をみせた。背の高いポプラの林は風に吹き動かされる砂浜のような格好をしている。切れ目のないその連続を見ているだけで眼がくらんでくる。変り映えしない日々の連続に酔うことができたなら象や蛇をしとめた気にもなれる。蝶が舞うようにそんな風に彼はものを識ったのである。

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

Museum of Contemporary Art Tokyo

作品画像:枯葉

Dead Leaf

KATO Taro

Museum of Contemporary Art Tokyo

作品画像:[小清水漸作品写真集 1](24/67)

Works of Koshimizu Susumu, an Album

KOSHIMIZU Susumu

Museum of Contemporary Art Tokyo

作品画像:葉・Feuillage

Leaf

KOMAI Tetsuro

Museum of Contemporary Art Tokyo

作品画像:アンソニー・カロ《5月》1963

Anthony Caro, "Month of May", 1963

ANZAI Shigeo

Museum of Contemporary Art Tokyo

作品画像:「Notional Newspapers  Floor with Notional Newspapers  Table with Notional Newspapers  Chair with Notional Newspapers  House with Notional Newspapers  Room with Notional Newspapers  Wall with Notional Papers  Museum with Notional Newspapers」

「Notional Newspapers Floor with Notional Newspapers Table with Notional Newspapers Chair with Notional Newspapers House with Notional Newspapers Room with Notional Newspapers Wall with Notional Papers Museum with Notional Newspapers」

MANDERS, Mark

Museum of Contemporary Art Tokyo

作品画像:風船

Baloon

BABA Kashio

Museum of Contemporary Art Tokyo

作品画像:[魚雷攻撃]

[Torpedo Attack]

FUKUZAWA Ichiro

Museum of Contemporary Art Tokyo

作品画像:よろこび B[『サーカス』より]

Joy B [from "Circus"]

EI-KYU

Museum of Contemporary Art Tokyo

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