From Kiyosumi- Shirakawa station of HANZOMON line to the Museum ハンゾウモン線・清澄白河から美術館へ

Fruits

KOMAI Tetsuro

Two Horizons A

YOSHIHARA Hideo

TKG

ICHIHARA Arinori

Works of Saito Yoshishige, an Album

SAITO Yoshishige

Daniel BUREN, 1970-05, The 10th International Art Exhibition of Japan (Tokyo Biennale), Tokyo Metropolitan Art Museum

ANZAI Shigeo

Untitled

IDA Shoichi

Night

SAITO Juichi

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

[Ben PATERSON's documentary photographs]

ANZAI Shigeo

IKEDA Tatsuo, 1976-11-23, Italian Cultural Institute, Tokyo

ANZAI Shigeo

Woman of Roulette

TOGO Seiji

Big Ribbon (Falling)

BABA Kashio

Touch "Body-66"

YOSHIDA Katsuro