- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Works of Saito Yoshishige, an Album
- Artist Name
- SAITO Yoshishige
- Year
- 1948-83
- Acquisition date
- 1984
- Accession number
- 1975-00-8042-006-002
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/10591/
Other items of Museum of Contemporary Art Tokyo (8080)
Relatum (Relation among Stone, Iron, Glass and Others)
LEE Ufan
Museum of Contemporary Art Tokyo
Jizoing, Tiananmen Square, August 3, 1989
OZAWA Tsuyoshi
Museum of Contemporary Art Tokyo
London 8 (Mayfair)
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
untitled
IMAI Shunsuke
Museum of Contemporary Art Tokyo
Mademoiselle
KOBAYASHI Donge
Museum of Contemporary Art Tokyo
Works of Koshimizu Susumu, an Album
KOSHIMIZU Susumu
Museum of Contemporary Art Tokyo
[Preliminary of "City of Unease (Photomontage)"]
ISHII Shigeo
Museum of Contemporary Art Tokyo
La Monte Young, "566 for Henry Flynt" / La Monte Young, "Composition 1961" / George Brecht, "Two Durations", with Christoph CHARLES, ONODERA Natsu, REIZEN Atsushi, UEMATSU Takuma, SHIBATA Reki, YARITA Misako
ANZAI Shigeo
Museum of Contemporary Art Tokyo
After the Great Kanto Earthquake(An Iron Pillar)
KANOKOGI Takeshiro
Museum of Contemporary Art Tokyo
La La La
BABA Kashio
Museum of Contemporary Art Tokyo
Coelacanth
MORI Bushiro
Museum of Contemporary Art Tokyo
The Aesthetic of the End
YOKOO Tadanori
Museum of Contemporary Art Tokyo
![作品画像：[apple yard 45]](https://museumcollection.tokyo/wp-content/uploads/2022/08/20151.jpg)
[apple yard 45]
MIKI Tomio
Museum of Contemporary Art Tokyo
ZOP (A)
ICHIHARA Arinori
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
War Correspondent
NARAOKA Masao
Museum of Contemporary Art Tokyo