- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Works of Saito Yoshishige, an Album
- Artist Name
- SAITO Yoshishige
- Year
- 1948-83
- Acquisition date
- 1984
- Accession number
- 1975-00-8042-001-005
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/10321/
Other items of Museum of Contemporary Art Tokyo (8082)
Landscape with Bird No.1
BITO Yutaka
Museum of Contemporary Art Tokyo
Stone-Pavement
CHOKAI Seiji
Museum of Contemporary Art Tokyo
Her Conversation [from "Location and Scene"]
IKEDA Masuo
Museum of Contemporary Art Tokyo
Turned Into a 'Tube-Man', I Hold on
TSURUOKA Masao
Museum of Contemporary Art Tokyo
Work "46"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
[Laborer Working at the Japan Steel Works Muroran Plant during Battle]
SHINKAI Kakuo
Museum of Contemporary Art Tokyo
Return to a square (b)
CTG（Computer Technique Group）
Museum of Contemporary Art Tokyo
Vinyl Moon River
YAGI Lyota
Museum of Contemporary Art Tokyo
PL.11 Etching [from "And They Called It Hanka (Envoi)"]
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
Work "14"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
BALLOON
YAHAGI Kijuro
Museum of Contemporary Art Tokyo
A Child of Hokkaido
IKEBE Hitoshi
Museum of Contemporary Art Tokyo
Still Life
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
12 Torsos - No.3, boy of knowledge P.A.
TANADA Koji
Museum of Contemporary Art Tokyo
Dawn at the Ranch
SUZUKI Chikuma
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo