Works of Matsuzawa Yutaka, an Album 松澤宥記録写真集　ソンスビーク

MATSUZAWA Yutaka 松澤　宥

Collection of: Museum of Contemporary Art Tokyo
Title: Works of Matsuzawa Yutaka, an Album
Artist Name: MATSUZAWA Yutaka
Year: 1971
Material / Technique: 56 black and white photographs, 5 color photographs and the others
Acquisition date: 1984
Accession number: 1975-00-8059-060
MOT Collection Search: https://mot-collection-search.jp/shiryo/8541/

Metadata

Other items of Museum of Contemporary Art Tokyo (8082)

Painting

SUENAGA Fuminao

Museum of Contemporary Art Tokyo

White Os (Car) - Forest

OIWA, Oscar

Museum of Contemporary Art Tokyo

Battle Beneath the Ocean

HAYTER, Stanley William

Museum of Contemporary Art Tokyo

fragment #8

TOMII Motohiro

Museum of Contemporary Art Tokyo

Away from Home

SAKAKURA Yoshinobu

Museum of Contemporary Art Tokyo

I'm Dirty

KOMAI Tetsuro

Museum of Contemporary Art Tokyo

Red Mask

FUKAZAWA Yukio

Museum of Contemporary Art Tokyo

The Holy Family 6 [from "The Holy Family"]

TAKAYAMA Tatsuo

Museum of Contemporary Art Tokyo

作品画像：（左）山の向こうの中腹のちっぽけな村はすでに見えなくなり、ふたたび春が巡ってきた。葡萄の木はあたかも塀の笠石の下を匍う病める大蛇のように見える。生あたたかい空気のなかを褐色の光が動きまわっていた。似たりよったりの毎日が作りだす空白は伐り残した若木まで切り倒すだろう。日々の暮らしのなかで樹木の茂みは岩のように突き出ている。（右）自分の暮らした村がこんなに小さく思われたことはない。太陽が姿をみせた。背の高いポプラの林は風に吹き動かされる砂浜のような格好をしている。切れ目のないその連続を見ているだけで眼がくらんでくる。変り映えしない日々の連続に酔うことができたなら象や蛇をしとめた気にもなれる。蝶が舞うようにそんな風に彼はものを識ったのである。

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

Museum of Contemporary Art Tokyo