
- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Untitled
- Artist Name
- IDA Shoichi
- Year
- 1964
- Category
- Block prints
- Material / Technique
- Lithograph
- Edition
- Ed. ap.(画面外左下)
- Acquisition date
- 2011
- Accession number
- 2011-00-0099-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/5957/
Other items of Museum of Contemporary Art Tokyo (8082)

Present Situation - Existance (C)
KIMURA Kosuke
Museum of Contemporary Art Tokyo

The Burial
IKEDA Masuo
Museum of Contemporary Art Tokyo
](https://museumcollection.tokyo/wp-content/uploads/2022/08/13151.jpg)
Works of Koshimizu Susumu, an Album
KOSHIMIZU Susumu
Museum of Contemporary Art Tokyo

[Documents related to FUKUSHIMA Hideko]
FUKUSHIMA Hideko
Museum of Contemporary Art Tokyo

The Umbrellas (Joint Project for Japan and U.S.A.)
Christo and Jeanne-Claude
Museum of Contemporary Art Tokyo

Fragments from the Preliminary Working Notes for the Series "Softly Reductive" (A-3)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo

a VTRE EXTRA no.11, 1979.03.24
Museum of Contemporary Art Tokyo

The Gum Tribe
IKEDA Tatsuo
Museum of Contemporary Art Tokyo

About Jozef, from the series "Three Men for Life"
ČIERNA, Pavlína Fichta
Museum of Contemporary Art Tokyo

After the Great Kanto Earthquake(Matsuchiyama)
KANOKOGI Takeshiro
Museum of Contemporary Art Tokyo

Still Life
KOMAI Tetsuro
Museum of Contemporary Art Tokyo

Couple
MURAI Masanari
Museum of Contemporary Art Tokyo
![作品画像:[apple yard 32]](https://museumcollection.tokyo/wp-content/uploads/2022/08/20138.jpg)
[apple yard 32]
MIKI Tomio
Museum of Contemporary Art Tokyo

Interview
KAIHATSU Yoshiaki
Museum of Contemporary Art Tokyo

Work "40"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo