Portrait of Mr. Kaneko 金子氏像

Four Circles

ONOSATO Toshinobu

A Feeble Man

SUGURO Tadashi

Position '77－9

NAKABAYASHI Tadayoshi

12 Months in Prints Calf

SUZUKI Kenji

Offering, Black

YOSHIDA Hodaka

Anthony Caro's studio, New York State

ANZAI Shigeo

Frontispiece for "Section"

KOMAI Tetsuro

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

Ben Paterson's documentary photography

ANZAI Shigeo

[Documents related to Dumb Type] 036-Pleasure Life DRILL

DUMB TYPE

Blue Healer Goddess

HAN'NYA Yuko

Autumn Color

SAKAI Sanryoshi

The Stations of the Cross 5

MURAKAMI Tomoharu

0.9×19.6×1.2

TOMII Motohiro