＃2 from "1906 to the skin" ＃2『1906 to the skin』より

Three-Way Plug - Scale B, Soft

OLDENBURG, Claes

Idleness

HAMADA Chimei

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

Étoile Square [from "Paris"]

SATO Ado

Caos Poetico

ARAKI Tamana

Three Faces

MURAI Masanari

Exhibition of parallelism in art, 1981-08-11, Ohara-Ryu Center of Tokyo

ANZAI Shigeo

Vase "Flower in the Sky"

YASUHARA Yoshiaki

Flowers before an Aquarium

HASEGAWA Kiyoshi

Town at Dusk

KOMAI Tetsuro