
- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Johnny and Lindsay
- Artist Name
- HOCKNEY, David
- Year
- 1979
- Category
- Block prints
- Material / Technique
- Lithograph
- Edition
- Ed. A.P. Ⅶ(画面内左下)
- Acquisition date
- 1994
- Accession number
- 1994-00-1083-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/4170/
Other items of Museum of Contemporary Art Tokyo (8082)

Landscape
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
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data.matrix [no1-10]
IKEDA Ryoji
Museum of Contemporary Art Tokyo

KAMATANI Susumu, 1981-07-04, Lunami Gallery
ANZAI Shigeo
Museum of Contemporary Art Tokyo

Black Mirror
KOMAI Tetsuro
Museum of Contemporary Art Tokyo

0.9×19.6×1.2
TOMII Motohiro
Museum of Contemporary Art Tokyo

Fossil
KOMAI Tetsuro
Museum of Contemporary Art Tokyo

Whirl
FUKAZAWA Yukio
Museum of Contemporary Art Tokyo

Frontal Nude
MATSUMOTO Shunsuke
Museum of Contemporary Art Tokyo
![作品画像:13. それは、忽ち水面を走る黒い昆虫の羽と化し、・・・[『九つの夢から』より]](https://museumcollection.tokyo/wp-content/uploads/2025/06/19190.jpg)
13. It Transformed Itself into the Wings of a Black Insect Which Ran Along the Surface of the Water... [from "From Nine Dreams"]
KOMAI Tetsuro
Museum of Contemporary Art Tokyo

Thank you Celeb Project - I'm BOKAN
Chim↑Pom
Museum of Contemporary Art Tokyo

LEY (R)
ICHIHARA Arinori
Museum of Contemporary Art Tokyo

The Boss
HAMADA Chimei
Museum of Contemporary Art Tokyo

Toro Wood (Blue)
SAITO Yoshishige
Museum of Contemporary Art Tokyo

Diary: Aug. 19th '76
NODA Tetsuya
Museum of Contemporary Art Tokyo

Flower and Rope No.1
IDA Shoichi
Museum of Contemporary Art Tokyo

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo