Marquis Okuma Memorial Hall of Waseda University [from" A Hundred Views of New Tokyo"] 早稲田大学大隈候記念大講堂［『新東京百景』より］
KAWAKAMI Sumio 川上 澄生
- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Marquis Okuma Memorial Hall of Waseda University [from" A Hundred Views of New Tokyo"]
- Artist Name
- KAWAKAMI Sumio
- Year
- 1930
- Category
- Block prints
- Material / Technique
- Woodcut
- Edition
- Ed. 16（画面外右下）
- Acquisition date
- 1975
- Accession number
- 1975-00-6086-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/1650/
Other items of Museum of Contemporary Art Tokyo (8082)
Lithographic Water Made of Lines and Crayon
HOCKNEY, David
Museum of Contemporary Art Tokyo
Faces
NAKAHARA Minoru
Museum of Contemporary Art Tokyo
PixCell-Deer #17
NAWA Kohei
Museum of Contemporary Art Tokyo
Lithographic Water Made of Lines
HOCKNEY, David
Museum of Contemporary Art Tokyo
Michael Crichton
HOCKNEY, David
Museum of Contemporary Art Tokyo
Hat and Bottle
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
Lovers in Silhouette
FUKAZAWA Yukio
Museum of Contemporary Art Tokyo
Portrait of His Imperial Highness Emperor Meiji
GOSEDA Horyu
Museum of Contemporary Art Tokyo
[Documents related to NAKANO Jun, Sketches]（4/55）
NAKANO Jun
Museum of Contemporary Art Tokyo
Parade '84
BABA Kashio
Museum of Contemporary Art Tokyo
Work
SAITO Yoshishige
Museum of Contemporary Art Tokyo
[Documents related to YOSHIDA Katsuro (sketch, etc.)]
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
TTW (K)
ICHIHARA Arinori
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
Untitled
KATO Izumi
Museum of Contemporary Art Tokyo
[Documents related to NAKANO Jun, Sketches]（23/55）
NAKANO Jun
Museum of Contemporary Art Tokyo