
- Collection of
- Museum of Contemporary Art Tokyo
- Title
- After the Great Kanto Earthquake
- Artist Name
- KANOKOGI Takeshiro
- Year
- 1923
- Material / Technique
- Pencil, color pencil on paper
- Acquisition date
- 1966
- Accession number
- 1975-00-2081-024
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/869/
Other items of Museum of Contemporary Art Tokyo (8084)

Lotus Pond
OKUMURA Togyu
Museum of Contemporary Art Tokyo

Fragments from the Working Notes for the "Softly Reductives Ⅰ" (B-8)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo

Portrait of MUSHAKOJI Saneatsu
NISHIDA Takeo
Museum of Contemporary Art Tokyo
![作品画像:柳ばし[『新東京百景』より]](https://museumcollection.tokyo/wp-content/uploads/2025/09/19829.jpg)
Yanagibashi Bridge [from "A Hundred Views of New Tokyo"]
FUKAZAWA Sakuichi
Museum of Contemporary Art Tokyo
![作品画像:新荒川[『新東京百景』より]](https://museumcollection.tokyo/wp-content/uploads/2025/09/19832.jpg)
Shin-Arakawa River [from "A Hundred Views of New Tokyo"]
FUKAZAWA Sakuichi
Museum of Contemporary Art Tokyo
![作品画像:老いたギタリスト[『ブルー・ギター』より]](https://museumcollection.tokyo/wp-content/uploads/2022/08/15304.jpg)
The Old Guitarist [from "The Blue Guitar"]
HOCKNEY, David
Museum of Contemporary Art Tokyo

Panel #33
TOYOSHIMA Yasuko
Museum of Contemporary Art Tokyo

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
![作品画像:[不詳]](https://museumcollection.tokyo/wp-content/uploads/2025/09/20666-1024x892.jpg)
[Title Unknown]
NICHOLSON, Ben
Museum of Contemporary Art Tokyo
![作品画像:[1945.9.26]](https://museumcollection.tokyo/wp-content/uploads/2022/08/19410-1024x864.jpg)
SUEMATSU Masaki
Museum of Contemporary Art Tokyo

Cherry Blossom in Kankakei Valley
KIWAMURA Sojiro
Museum of Contemporary Art Tokyo
![作品画像:[斎藤義重作品写真集:ファイル 3] 28/53](https://museumcollection.tokyo/wp-content/uploads/2022/08/11735.jpg)
Works of Saito Yoshishige, an Album
SAITO Yoshishige
Museum of Contemporary Art Tokyo

Man
HAMADA Chimei
Museum of Contemporary Art Tokyo

Fragments from the Working Notes for the "Softly Reductives Ⅲ" (D-14)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
![作品画像:[吉田克朗関係資料一括]](https://museumcollection.tokyo/wp-content/uploads/2023/11/24760.jpg)
[Documents related to YOSHIDA Katsuro (sketch, etc.)]
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo

Process of the Silkscreen Printing, explanatory panels with proofs
OKABE Tokuzo
Museum of Contemporary Art Tokyo