Result
台湾国石門口右側之山

Mountains on right side of Shimen, Taiwan 台湾国石門口右側之山

MATSUZAKI Shinji 松崎 晋二

Collection of
Tokyo Photographic Art Museum
Series title
Section of Taiwan
Title
Mountains on right side of Shimen, Taiwan
Original title
台湾国石門口右側之山
Artist Name
MATSUZAKI Shinji
Year
1874
Material / Technique
Albumen print
Dimensions
88x55mm
Accession number
10117535
Tokyo Photographic Art Museum “Search the Collection”
https://collection.topmuseum.jp/Publish/detailPage/22631/
Metadata

Other items of Tokyo Photographic Art Museum (40724)

Tokyo Museum Collection(ToMuCo)

Snowy Egret The Youth

TANAKA Tokutaro

Tokyo Photographic Art Museum

作品画像：041_Shinmeigu

Topology 041_Shinmeigu

ITOI Jun

Tokyo Photographic Art Museum

作品画像：#26

Horizon #26

YOKOSUKA Noriaki

Tokyo Photographic Art Museum

作品画像：皇室図書館（？）、東京

Imperial Library, Tokyo

Photographer unknown

Tokyo Photographic Art Museum

Tokyo Museum Collection(ToMuCo)

End Credits

Young-hae Chang Heavy Industries

Tokyo Photographic Art Museum

作品画像：第2の水俣

The Second Minamata

TAMURA Shigeru

Tokyo Photographic Art Museum

作品画像：

Kohoku

KONDO Tatsuo

Tokyo Photographic Art Museum

作品画像：Ⅰ

Ecology of Beauty I

MATSUGI Fujio

Tokyo Photographic Art Museum

Tokyo Museum Collection(ToMuCo)

untitled

KURIGAMI Kazumi

Tokyo Photographic Art Museum

作品画像：飛行帽を被った双子、カリフォルニア州オークランド

American Portraits Twin Sisters in Aviator Hats, Oakland, Ca.

BORENSZTEIN, Leon

Tokyo Photographic Art Museum

作品画像：レダ

Leda

BRANCUSI, Constantin

Tokyo Photographic Art Museum

Tokyo Museum Collection(ToMuCo)

KUMAKIRI Keisuke

Tokyo Photographic Art Museum

作品画像：山小屋の戸口に座る子供、ケンタッキー州

FSA Project Child in Doorway of Mountain Cabin, Rural Kentucky

WOLCOTT, Marion Post

Tokyo Photographic Art Museum

作品画像：韓国猛虎師団の衛生兵として Da Nang=ダナンに送られた康周寛（カン・ジュカン）の皮膚炎は20年間も続いている。筆先に神経を集中することで痛みもかゆみも忘れると彼がいうハングル書道。その作品が部屋いっぱいに並んでいた。92年まで続いた軍事政権のもとで兵士たちの被害申し立ては許されず、枯葉剤問題の報道さえ韓国では封じられていた（安養=アニャン、1993年5月）

Kang Ju-kwan, who was sent to Da Nang as a medic for the South Korean Tiger Division, has been suffering from dermatitis for 20 years. He says that by concentrating his nerves on the tip of his brush while doing Korean calligraphy, he forget about pain and itching. His works were lined up all over the room. Under the military regime that lasted until 1992, soldiers' claims of damage were not allowed, and even news reports on the defoliant problem was suppressed in South Korea (Anyang, May 1993).

NAKAMURA Goro

Tokyo Photographic Art Museum

作品画像：（法被を着た女性）

(Woman wearing a happi)

KUSAKABE Kinbee

Tokyo Photographic Art Museum

作品画像：ポリオラマ・パノプティークの絵

PLATES FOR POLYORAMA AND PANORAMA Plate of Polyorama panoptique

Photographer unknown

Tokyo Photographic Art Museum

MORE