
- Collection of
- Tokyo Photographic Art Museum
- Title
- 63
- Artist Name
- NARAHARA Ikko
- Year
- 1993-1996
- Material / Technique
- Chromogenic print
- Dimensions
- 190x190mm
- Accession number
- 10108343
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/20323
About the creator
奈良原一高 / NARAHARA Ikkō
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1731
- Date of birth
- 1931-11-03
- Birth place
- Ōmuta City, Fukuoka Prefecture
- Date of death
- 2020-01-19
- Death place
- Setagaya-ku, Tokyo
- Medium
- Photography
- Gender
- male
- Update date
- 2023-02-14
Identifiers
- APJ ID
- A1731
- VIAF ID
- 92249095
- NDL ID
- 00053927
- ULAN ID
- 500323083
- AOW ID
- _00604210
- Wikidata ID
- Q3148431
Other items of Tokyo Photographic Art Museum (38868)

At Hibiya
OTSUKA Gen
Tokyo Photographic Art Museum

Hotel Marquis of Ecquevilly, 60 Turenne Street
ATGET, Eugène
Tokyo Photographic Art Museum

(Portrait of sitting woman)
IDE Denjiro
Tokyo Photographic Art Museum

The School Yard during the Summer Break
USUI Kaoru
Tokyo Photographic Art Museum

Tokyo
TSUCHIDA Hiromi
Tokyo Photographic Art Museum

Tokyo in the 11th Year of Showa Ueno Station, Shitaya Ward (Taito Ward)
KUWABARA Kineo
Tokyo Photographic Art Museum

MAGIC LANTERNS SLIDES Slipping panorama slides
Photographer unknown
Tokyo Photographic Art Museum

A Requiem VIETNAM WAR, 1968-1991
MORIMURA Yasumasa
Tokyo Photographic Art Museum

Perspective Views Perspective View (Great temple solum in Palmyra)
Photographer unknown
Tokyo Photographic Art Museum

The Newspaper Boy
OKAMOTO Miwako
Tokyo Photographic Art Museum

Tokyo Kamiuma
MORIYAMA Daido
Tokyo Photographic Art Museum

The Old Closes and Streets of Glasgow Saltmarket, from Bridgegate
ANNAN, Thomas
Tokyo Photographic Art Museum

Shafts #5
YOKOSUKA Noriaki
Tokyo Photographic Art Museum

Kang Ju-kwan, who was sent to Da Nang as a medic for the South Korean Tiger Division, has been suffering from dermatitis for 20 years. He says that by concentrating his nerves on the tip of his brush while doing Korean calligraphy, he forget about pain and itching. His works were lined up all over the room. Under the military regime that lasted until 1992, soldiers' claims of damage were not allowed, and even news reports on the defoliant problem was suppressed in South Korea (Anyang, May 1993).
NAKAMURA Goro
Tokyo Photographic Art Museum

Hokkaido Chitose
MORIYAMA Daido
Tokyo Photographic Art Museum

NUBIE Hemi - Speos de Seboua Dromos
DU CAMP, Maxime
Tokyo Photographic Art Museum