- Collection of
- Tokyo Photographic Art Museum
- Series title
- Life in Papua
- Title
- Faces on a Festival Day
- Original title
- 顔(祭りの日)
- Artist Name
- OISHI Yoshino
- Year
- 1973
- Material / Technique
- Silver dye bleach print
- Dimensions
- 282x408mm
- Accession number
- 10002269
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/41270/
About the creator
大石芳野 / ŌISHI Yoshino
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A2310
- Date of birth
- 1944-05-28
- Birth place
- Tokyo
- Medium
- Photography
- Gender
- female
- Update date
- 2023-02-14
Identifiers
- APJ ID
- A2310
- VIAF ID
- 50568133
- NDL ID
- 00105378
- AOW ID
- _d75741cb-9e01-4600-a563-02bb886d0b7d
- Wikidata ID
- Q5420992
Other items of Tokyo Photographic Art Museum (41996)
(Man and Woman in front of Face Cutout Stand)
KIMURA Tsunehisa
Tokyo Photographic Art Museum
Equator Moon-child, São Tomé
MINATO Chihiro
Tokyo Photographic Art Museum
Longicorn Beetle
KURIBAYASHI Satoshi
Tokyo Photographic Art Museum
Shadow Play Cards illustrating hand shadows, set of 12
Photographer unknown
Tokyo Photographic Art Museum
(Samurai wearing jingasa headwear)
SHIMOOKA Renjo
Tokyo Photographic Art Museum
World Musicians Joseph Szigeti
OTAKE Shoji
Tokyo Photographic Art Museum
Woman, Mayumi OGAWA
SATO Akira
Tokyo Photographic Art Museum
MISCELLANEOUS Professor of Piney Woods
SMITH, W. Eugene
Tokyo Photographic Art Museum
Shadow Play Postcards illustrating hand shadows
Photographer unknown
Tokyo Photographic Art Museum
Japanesque Zen
NARAHARA Ikko
Tokyo Photographic Art Museum
CAMERA NOTES SWEET CHILDHOOD DAYS
BELG, Charles I.
Tokyo Photographic Art Museum
Album of Paris Universal Exhibition Big drum.
YOKOYAMA Matsusaburo
Tokyo Photographic Art Museum
We, the Earth People Free from worldly cares
MIWA Kokyu
Tokyo Photographic Art Museum
untitled
KURIGAMI Kazumi
Tokyo Photographic Art Museum
Cherry Blossoms (2)
TOMATSU Shomei
Tokyo Photographic Art Museum
Russo-Japanese War through the Stereoscope Why the Japanese were always ready─practice behind loop─holes of wall, Fakumen, Manchuria.
UNDERWOOD & UNDERWOOD
Tokyo Photographic Art Museum