- Collection of
- Tokyo Photographic Art Museum
- Series title
- Tokyo
- Title
- Shinjuku
- Original title
- 新宿
- Artist Name
- MORIYAMA Daido
- Year
- 1969
- Material / Technique
- Gelatin silver print on developing-out paper
- Dimensions
- 234x343mm
- Accession number
- 10003762
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/37139/
About the creator
森山大道 / MORIYAMA Daidō
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1991
- Date of birth
- 1938-10-10
- Birth place
- Ikeda City, Osaka Prefecture
- Medium
- Photography
- Gender
- male
- Update date
- 2025-02-20
Identifiers
- APJ ID
- A1991
- VIAF ID
- 22308140
- NDL ID
- 00047799
- ULAN ID
- 500120366
- AOW ID
- _00604196
- Wikidata ID
- Q1157532
Other items of Tokyo Photographic Art Museum (44025)
Life facing alley 4
YOSHIOKA Senzo
Tokyo Photographic Art Museum
NEW YORK
KITAJIMA Keizo
Tokyo Photographic Art Museum
Food
NARAHARA Ikko
Tokyo Photographic Art Museum
Madrid, November 1936
CAPA, Robert
Tokyo Photographic Art Museum
(Smoking old man)
SAKUMA Hyoue
Tokyo Photographic Art Museum
Mr. Shimoya Tomitaro
TOMATSU Shomei
Tokyo Photographic Art Museum
Postwar Tokyo Near Ikebukuro Station
KUWABARA Kineo
Tokyo Photographic Art Museum
Rejlander “Twilight Sun” Correspondence
HATTORI Fuyuki
Tokyo Photographic Art Museum
RECORDING ARTISTS Man with head on hand
SMITH, W. Eugene
Tokyo Photographic Art Museum
Versailles
DAVANNE, Louis-Alphonse
Tokyo Photographic Art Museum
Tokyo, Town #149
ISHIMOTO Yasuhiro
Tokyo Photographic Art Museum
ZOKUSHIN: Gods of the Earth Iwaki, Aomori Prefecture
TSUCHIDA Hiromi
Tokyo Photographic Art Museum
CAMERA WORK NUMBER 31 July 1910 H.R.H. Rupprecht, Prince of Bavaria
EUGENE, Frank (Frank Eugene Smith)
Tokyo Photographic Art Museum
Kang Ju-kwan, who was sent to Da Nang as a medic for the South Korean Tiger Division, has been suffering from dermatitis for 20 years. He says that by concentrating his nerves on the tip of his brush while doing Korean calligraphy, he forget about pain and itching. His works were lined up all over the room. Under the military regime that lasted until 1992, soldiers' claims of damage were not allowed, and even news reports on the defoliant problem was suppressed in South Korea (Anyang, May 1993).
NAKAMURA Goro
Tokyo Photographic Art Museum
EGYPT AND PALESTINE Vol. 1 ENTRANCE TO THE GREAT TEMPLE.
FRITH, Francis
Tokyo Photographic Art Museum
RFK Funeral Train
FUSCO, Paul
Tokyo Photographic Art Museum