- Collection of
- Tokyo Photographic Art Museum
- Series title
- Blue YOKOHAMA 1959
- Title
- Artist Name
- NARAHARA Ikko
- Year
- 1959
- Material / Technique
- Gelatin silver print on developing-out paper
- Dimensions
- 310x212mm
- Accession number
- 10100234
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/49582/
About the creator
奈良原一高 / NARAHARA Ikkō
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1731
- Date of birth
- 1931-11-03
- Birth place
- Ōmuta City, Fukuoka Prefecture
- Date of death
- 2020-01-19
- Death place
- Setagaya-ku, Tokyo
- Medium
- Photography
- Gender
- male
- Update date
- 2023-02-14
Identifiers
- APJ ID
- A1731
- VIAF ID
- 92249095
- NDL ID
- 00053927
- ULAN ID
- 500323083
- AOW ID
- _00604210
- Wikidata ID
- Q3148431
Other items of Tokyo Photographic Art Museum (40724)
fishing village sunset
FUKUMORI Hakuyo
Tokyo Photographic Art Museum
NAKAMURA Kenichi (Western-Style Painter)
OTAKE Shoji
Tokyo Photographic Art Museum
Flower
AKIYAMA Shotaro
Tokyo Photographic Art Museum
Murae/To the Villages Potbelly Stove
KITAI Kazuo
Tokyo Photographic Art Museum
RUST CITY TOKYO
INAKOSHI Koichi
Tokyo Photographic Art Museum
DanmatsuMouse
exonemo
Tokyo Photographic Art Museum
Nikko Taiyuin mausoleum Nioumon gate
UCHIDA Kuichi
Tokyo Photographic Art Museum
Tokyo Baton Twirler (Shibuya)
MORIYAMA Daido
Tokyo Photographic Art Museum
100 Underwater Views of the Japanese Archipelago Reminiscent of deep mountain forests, the sublittoral brown algae (Ecklonia cava Kjellman) are a precious source of food for sea urchins, abalone, and turban shells.
NAKAMURA Ikuo
Tokyo Photographic Art Museum
Antagonism of shadow
KOBAYASHI Yuji
Tokyo Photographic Art Museum
Morning Fair, Kochi
KIMURA Ihee
Tokyo Photographic Art Museum
Mémoires Graz, 1996
FURUYA Seiichi
Tokyo Photographic Art Museum
Chikunanin Choushaku Nyudaishi (Posthumous Buddhist name)
KOJIMA Ryua
Tokyo Photographic Art Museum
Waikiki
WESSEL, Henry
Tokyo Photographic Art Museum
Myself Mona Ahmed When I started to live in the graveyard, my own blood family thought I was crazy and admitted me to the mental asylum. I came here because I could not bear the false glamour of city life. I hated the pretense that people put on.
SINGH, Dayanita
Tokyo Photographic Art Museum
OBSERVATION
YAMAZAKI Hiroshi
Tokyo Photographic Art Museum