- Collection of
- Tokyo Photographic Art Museum
- Title
- Scarecrow
- Original title
- 案山子
- Artist Name
- UEDA Shoji
- Year
- 1950
- Material / Technique
- Gelatin silver print on developing-out paper
- Dimensions
- 280x228mm
- Accession number
- 10009550
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/48718/
About the creator
植田正治 / UEDA Shōji
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1127
- Date of birth
- 1913-03-27
- Birth place
- Saihaku District, Tottori Prefecture
- Date of death
- 2000-07-04
- Death place
- Yonago City, Tottori Prefecture
- Medium
- Photography
- Gender
- male
- Update date
- 2023-02-14
Identifiers
- APJ ID
- A1127
- VIAF ID
- 96366235
- NDL ID
- 00087813
- ULAN ID
- 500093482
- AOW ID
- _00604379
- Wikidata ID
- Q3107892
Other items of Tokyo Photographic Art Museum (39880)
NEW YORK
KITAJIMA Keizo
Tokyo Photographic Art Museum
(Photographs of China)
Photographer unknown
Tokyo Photographic Art Museum
Hokkaido Muroran
MORIYAMA Daido
Tokyo Photographic Art Museum
Book 149
SMITH, Keith A.
Tokyo Photographic Art Museum
The Old Closes and Streets of Glasgow Close, No. 37 High Street
ANNAN, Thomas
Tokyo Photographic Art Museum
Gamecock and Lotus Root Field
TANAKA Kotaro
Tokyo Photographic Art Museum
Saint - Sepulcre Grotte de Jeremie
SALZMANN, Auguste
Tokyo Photographic Art Museum
Young Women Railroad Guard (1)
HORINO Masao
Tokyo Photographic Art Museum
Tokyo in the 11th Year of Showa Ueno Park Yamashita, Shitaya Ward (Ueno 4-chome, Taito Ward)
KUWABARA Kineo
Tokyo Photographic Art Museum
The Cosmos of Gaudi Casa Mila #72
HOSOE Eikoh
Tokyo Photographic Art Museum
Young People
AKIYAMA Tadasuke / SATO Haruo
Tokyo Photographic Art Museum
America
NATORI Yonosuke
Tokyo Photographic Art Museum
Kiss
MARCOLLA, Jolanta
Tokyo Photographic Art Museum
Landscapes with Birds Short-Eared Owl
SHIMADA Tadashi
Tokyo Photographic Art Museum
Kang Ju-kwan, who was sent to Da Nang as a medic for the South Korean Tiger Division, has been suffering from dermatitis for 20 years. He says that by concentrating his nerves on the tip of his brush while doing Korean calligraphy, he forget about pain and itching. His works were lined up all over the room. Under the military regime that lasted until 1992, soldiers' claims of damage were not allowed, and even news reports on the defoliant problem was suppressed in South Korea (Anyang, May 1993).
NAKAMURA Goro
Tokyo Photographic Art Museum
EGYPT AND PALESTINE Vol. 1 ANTIQUITIES AT BIGGEH.
FRITH, Francis
Tokyo Photographic Art Museum