- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Works of Matsuzawa Yutaka, an Album
- Artist Name
- MATSUZAWA Yutaka
- Year
- 1976
- Material / Technique
- 56 black and white photographs, 5 color photographs and the others
- Acquisition date
- 1984
- Accession number
- 1975-00-8059-010
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/8489/
Other items of Museum of Contemporary Art Tokyo (8084)
Coal mine landscape [from "Picture Book of Coal Mines: OMIYA Noboru Creative Lithograph Collection"]
OMIYA Noboru
Museum of Contemporary Art Tokyo
Teacher and Pupils
IKEBE Hitoshi
Museum of Contemporary Art Tokyo
Untitled
WAKABAYASHI Saeko
Museum of Contemporary Art Tokyo
Work 73 - B
FUKAZAWA Shiro
Museum of Contemporary Art Tokyo
HOSOE Eikoh Photo works, Ordeal by Roses Re-edited Version(Shueisha)
YOKOO Tadanori
Museum of Contemporary Art Tokyo
Frances
NOMURA Kazuhiro
Museum of Contemporary Art Tokyo
Fragments from the Working Notes for the "Softly Reductives Ⅰ" (B-14)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
Mitsukoshi Department Store Area [from "A Hundred Views of New Tokyo]
FUJIMORI Shizuo
Museum of Contemporary Art Tokyo
Maurits Script
Wendelien VAN OLDENBORGH
Museum of Contemporary Art Tokyo
[Juvenile Airman]
MIYAMOTO Saburo
Museum of Contemporary Art Tokyo
seats
SUGITO Hiroshi
Museum of Contemporary Art Tokyo
Molding 00 - 8
MASAKI Takashi
Museum of Contemporary Art Tokyo
Acrobatics 2
KOBAYASHI Tokusaburo
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
Kamiyagawa River
UDA Tekison
Museum of Contemporary Art Tokyo
Crab
KOMAI Tetsuro
Museum of Contemporary Art Tokyo