- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Works of Matsuzawa Yutaka, an Album
- Artist Name
- MATSUZAWA Yutaka
- Year
- 1984
- Material / Technique
- 56 black and white photographs, 5 color photographs and the others
- Acquisition date
- 1984
- Accession number
- 1975-00-8059-002
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/8481/
Other items of Museum of Contemporary Art Tokyo (8080)
Black Dictionary-CLOSE
KAMIYA Shin
Museum of Contemporary Art Tokyo
[Documents related to YOSHIDA Katsuro (sketch, etc.)]
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
A Sleep in the Underpass
SATO Teruo
Museum of Contemporary Art Tokyo
Performance with Projector 831
KWAK Duck Jun
Museum of Contemporary Art Tokyo
[Title Unknown]
FUKUSHIMA Hideko
Museum of Contemporary Art Tokyo
Rotating Stone on Paper
Junya Kataoka + Rie Iwatake
Museum of Contemporary Art Tokyo
Small Piece C
SUEMATSU Masaki
Museum of Contemporary Art Tokyo
Flying Bird and Leaf
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
[John CAGE, Postcard]
Museum of Contemporary Art Tokyo
Geneva
ROUSSE, Georges
Museum of Contemporary Art Tokyo
Tsukishima [from "A Hundred Views of New Tokyo"]
FUJIMORI Shizuo
Museum of Contemporary Art Tokyo
John Cage and David Tudor Concert [Ticket]
Museum of Contemporary Art Tokyo
Nude
KINOSHITA Shigeru
Museum of Contemporary Art Tokyo
Shinobazu – The Spider’s Thread
FUKUDA Naoyo
Museum of Contemporary Art Tokyo
Architecture of the Air ANT-102
KLEIN, Yves
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo