- Collection of
- Museum of Contemporary Art Tokyo
- Title
- NISHIKI Minoru, 1977-12-02, Gallery Tamura
- Artist Name
- ANZAI Shigeo
- Year
- December 2, 1977
- Material / Technique
- Black and white photograph
- Acquisition date
- 1983
- Accession number
- 1975-00-8017-169
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/6314/
Other items of Museum of Contemporary Art Tokyo (8082)
Untitled
KAPOOR, Anish
Museum of Contemporary Art Tokyo
![作品画像：[ダムタイプ関連資料一括] Listening Hour #1 チラシ](https://museumcollection.tokyo/wp-content/uploads/2023/11/24827.jpg)
[Documents related to Dumb Type] Listening Hour #1 flyer
DUMB TYPE
Museum of Contemporary Art Tokyo
LABOUR-25
MATSUI Chie
Museum of Contemporary Art Tokyo
Works of Saito Yoshishige, an Album
SAITO Yoshishige
Museum of Contemporary Art Tokyo
Work "11"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
Dead Leaf
KATO Taro
Museum of Contemporary Art Tokyo
Scenes from Daily Life, The Station in Winter
AIGASA Masayoshi
Museum of Contemporary Art Tokyo
Work
ONOSATO Toshinobu
Museum of Contemporary Art Tokyo
Intoxicated Man
KOBAYASHI Donge
Museum of Contemporary Art Tokyo
Work "52"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo
BASHO-SOBA [Wataridori Keikaku, "Fukagawa Journey Series"]
ASO Tomoko
Museum of Contemporary Art Tokyo
[Sketch in Uchinada]
SHINKAI Kakuo
Museum of Contemporary Art Tokyo
Fragments from the Preliminary Working Notes for the Series "Softly Reductive" (A-10)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
The Stations of the Cross 12
MURAKAMI Tomoharu
Museum of Contemporary Art Tokyo
YOU ARE A FIELD
MAEDA Yukinori
Museum of Contemporary Art Tokyo