- Collection of
- Museum of Contemporary Art Tokyo
- Title
- GYN (d)
- Artist Name
- ICHIHARA Arinori
- Year
- 1960
- Category
- Block prints
- Material / Technique
- Monotype
- Edition
- Ed. 1/1（画面外左下）
- Acquisition date
- 1984
- Accession number
- 1975-00-6108-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/1672/
Other items of Museum of Contemporary Art Tokyo (8084)
WADA Morihiro, YOSHIDA Hideki, Event, 1977-11-05, Tama Art University
ANZAI Shigeo
Museum of Contemporary Art Tokyo
Mt. Myokosan
TAKADA Makoto
Museum of Contemporary Art Tokyo
Head of MUSHANOKOJI Saneatsu
TAKADA Hiroatsu
Museum of Contemporary Art Tokyo
9th Avenue, New York [from "Quarantine drawing series"]
OIWA, Oscar
Museum of Contemporary Art Tokyo
Mountain Man
MURAI Masanari
Museum of Contemporary Art Tokyo
Portrait of Rechiko
NAKAHARA Minoru
Museum of Contemporary Art Tokyo
Elegy for a New Conscript (An Artillery Marching over a Mountain)
HAMADA Chimei
Museum of Contemporary Art Tokyo
Survive (with Motives and Reasons)
BALDESSARI, John
Museum of Contemporary Art Tokyo
Meditation in the Rainy Season [from "Ramayana" Ⅴ]
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
[Documents related to ISOBE Yukihisa]
ISOBE Yukihisa
Museum of Contemporary Art Tokyo
Nose
ONOSATO Toshinobu
Museum of Contemporary Art Tokyo
After the Great Kanto Earthquake(Burnt Ruins)
KANOKOGI Takeshiro
Museum of Contemporary Art Tokyo
Light of
NINAGAWA Mika
Museum of Contemporary Art Tokyo
21, 34 - VALENCE (1) [from "21, 34 - VALENCE"]
WAKABAYASHI Isamu
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo
Work "61"
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo