
- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Temptation
- Artist Name
- SAITO Sogan
- Year
- 1970
- Material / Technique
- Bronze
- Acquisition date
- 1974
- Accession number
- 1975-00-4059-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/1300/
Other items of Museum of Contemporary Art Tokyo (8084)

DONCHO Ⅲ・153
TAKEDA Kunisa
Museum of Contemporary Art Tokyo

Looking up the trees Ⅶ (Drawing Ⅵ)
HIDAKA Rieko
Museum of Contemporary Art Tokyo

「Notional Newspapers Floor with Notional Newspapers Table with Notional Newspapers Chair with Notional Newspapers House with Notional Newspapers Room with Notional Newspapers Wall with Notional Papers Museum with Notional Newspapers」
MANDERS, Mark
Museum of Contemporary Art Tokyo
![作品画像:[apple yard 30]](https://museumcollection.tokyo/wp-content/uploads/2022/08/20136.jpg)
[apple yard 30]
MIKI Tomio
Museum of Contemporary Art Tokyo

Stamps
WATTS, Robert
Museum of Contemporary Art Tokyo

9+8 = 31
NOMURA Kazuhiro
Museum of Contemporary Art Tokyo

Law of Immutability
SUGA Kishio
Museum of Contemporary Art Tokyo

Christopher Isherwood Talking to Bob Holman, Santa Monica, March 14th 1983
HOCKNEY, David
Museum of Contemporary Art Tokyo

Marilyn Monroe
WARHOL, Andy
Museum of Contemporary Art Tokyo

Bird on Table
BARTLETT, Jennifer
Museum of Contemporary Art Tokyo

Animated Rainbow. Yes
Ay-O
Museum of Contemporary Art Tokyo

Atomic No.2
NAKAHARA Minoru
Museum of Contemporary Art Tokyo

Touch "On the Table" Ⅲ
YOSHIDA Katsuro
Museum of Contemporary Art Tokyo

Pastoral
Ay-O
Museum of Contemporary Art Tokyo

Fragments from the Working Notes for the "Softly Reductives Ⅲ" (D-7)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo