
- Collection of
- Tokyo Photographic Art Museum
- Series title
- Self-Portrait
- Title
- Self-Portrait (Brother #34)
- Original title
- Self-Portrait (Brother #34)
- Artist Name
- NAGASHIMA Yurie
- Year
- 1993
- Material / Technique
- Gelatin silver print on developing-out paper
- Dimensions
- 387x580mm
- Accession number
- 10112694
- Tokyo Photographic Art Museum “Search the Collection”
- https://collection.topmuseum.jp/Publish/detailPage/7292/
About the creator
長島有里枝 / NAGASHIMA Yurie
from Art Platform Japan: https://artplatform.go.jp/resources/collections/artists/A1685
- Date of birth
- 1973
- Birth place
- Nakano-ku, Tokyo
- Medium
- Photography
- Gender
- female
- Update date
- 2023-02-14
Identifiers
- APJ ID
- A1685
- VIAF ID
- 103038485
- NDL ID
- 00399963
- AOW ID
- _fd27f81d-4506-45e5-8d63-f160feaa15bc
- Wikidata ID
- Q5571674
Other items of Tokyo Photographic Art Museum (39880)

FIRST BORN
ARITA Taiji
Tokyo Photographic Art Museum

Murae/To the Villages Bon Festival
KITAI Kazuo
Tokyo Photographic Art Museum

New York Water tower on a rainy day
FEININGER, Andreas
Tokyo Photographic Art Museum

Yamanote Line・29 Shibuya
ISHIMOTO Yasuhiro
Tokyo Photographic Art Museum

Chicago, Chicago (Halloween) #1395
ISHIMOTO Yasuhiro
Tokyo Photographic Art Museum

A Distant Gaze Tama Chuo Park, Tama City
NAGANO Shigeichi
Tokyo Photographic Art Museum

Recycled Realities Leaning Bales
YOUNG, Tom
Tokyo Photographic Art Museum

School Days
SAWADA Tomoko
Tokyo Photographic Art Museum

Los Caprichos
KAWADA Kikuji
Tokyo Photographic Art Museum

Canopy, Horyuji Temple
OGAWA Kazumasa
Tokyo Photographic Art Museum

Sado Island Zeami was exiled to Sado in the Eikyo Era. There is a temporary stage.
KONDO Tomio
Tokyo Photographic Art Museum

Harvest
FUCHIKAMI Hakuyo
Tokyo Photographic Art Museum

NADIA
SAWATARI Hajime
Tokyo Photographic Art Museum

JAPAN … A CHAPTER OF IMAGE
SMITH, W. Eugene
Tokyo Photographic Art Museum

Takabatake
MINAMI Kenji
Tokyo Photographic Art Museum

Considered a security risk because of his firsthand coverage of the NLF, Okamura was banned by the South Vietnamese government from entering the country for a period of five years. In 1971, when the ban was lifted, Okamura followed the South Vietnamese army overland during the Laos incursion. Traveling from Vietnam to Laos across jungle stripped bare by defoliant. A large helicopter is transporting ammunition
OKAMURA Akihiko
Tokyo Photographic Art Museum