- Collection of
- Museum of Contemporary Art Tokyo
- Title
- Touch "On the Table" Ⅰ
- Artist Name
- YOSHIDA Katsuro
- Year
- 1995
- Category
- Block prints
- Material / Technique
- Lithograph
- Acquisition date
- 2013
- Accession number
- 2013-00-0159-000
- MOT Collection Search
- https://mot-collection-search.jp/shiryo/7609/
Other items of Museum of Contemporary Art Tokyo (8084)
[Documents related to NAKANO Jun, Sketches]（19/55）
NAKANO Jun
Museum of Contemporary Art Tokyo
Drawing
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
HARAGUCHI Noriyuki, 1971-05-23, Gallery Iteza, Kyoto
ANZAI Shigeo
Museum of Contemporary Art Tokyo
Fragments from the Working Notes for the "Softly Reductives Ⅱ" (C-3)
NAKANISHI Natsuyuki
Museum of Contemporary Art Tokyo
Road - Drawing (Ⅱ)
HIRAMATSU Reiji
Museum of Contemporary Art Tokyo
Reclining Figure
HOCKNEY, David
Museum of Contemporary Art Tokyo
a VTRE EXTRA no.11, 1979.03.24
Museum of Contemporary Art Tokyo
![作品画像：空間概念 神の終焉 [Concetto Spaziale – Fine di Dio]](https://museumcollection.tokyo/wp-content/uploads/2025/05/15173-750x1024.jpg)
Spatial Concept - End of God
FONTANA, Lucio
Museum of Contemporary Art Tokyo
Sita's Story [from "Ramayana" Ⅴ]
KOMAI Tetsuro
Museum of Contemporary Art Tokyo
He Tore Himself in Two [from "Six Fairy Tales from the Brothers Grimm"]
HOCKNEY, David
Museum of Contemporary Art Tokyo
Elementary Domain (Elementary Particles)
IKEBE Kyo
Museum of Contemporary Art Tokyo
[Struggle of the Sunagawa Base]
SHINKAI Kakuo
Museum of Contemporary Art Tokyo
Hand-colored Fukagawa Journey Karuta [Video] [Wataridori Keikaku, "Fukagawa Journey Series"]
Wataridori Keikaku [ ASO Tomoko, TAKEUCHI Akiko]
Museum of Contemporary Art Tokyo
Works of Saito Yoshishige, an Album
SAITO Yoshishige
Museum of Contemporary Art Tokyo
Alison KNOWLES, "Newspaper Music" with Eric ANDERSEN, Ben PATERSON, Christoph CHARLES, SHIBATA Reki, UEMATSU Takuma, SHIOMI Mieko
ANZAI Shigeo
Museum of Contemporary Art Tokyo
(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.
OKAZAKI Kenjiro
Museum of Contemporary Art Tokyo