HARAGUCHI Noriyuki, 1971-05-23, Gallery Iteza, Kyoto 1970年代美術記録写真集 「原口典之　1971年5月23日　ギャラリー射手座　京都」

Spring Arrives

IWAHASHI Eien

Kudara Kannon (Avalokitesvara of Paekche)

MATSUDA Chuichi

From the space of trees Ⅶ (Drawing Ⅲ)

HIDAKA Rieko

reflections

IDETA Goh

Untitled

NAKAMURA Isao

Surface is the Between – Between Vertical and Horizon – In front of, In back of – Breaked Horizontal Line

IDA Shoichi

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

Works of Matsuzawa Yutaka, an Album

MATSUZAWA Yutaka

An Interview with Mr. Kinoshita: Detaching the Voice

MOMOSE　Aya

Western, with Two Marbles

RUSCHA, Edward

WADA Morihiro, YOSHIDA Hideki, Event, 1977-11-05, Tama Art University

ANZAI Shigeo

Silk - 18

ONOSATO Toshinobu